Dear JAM, QWV or anyone else who comes across this page: Welcome! The aim of this blog is to archive most of my magazine or online article translations, as well as other kinds of translations. You will find here the same ones as on my abandoned twitter account: @pompom_lotus. Some new translations might be added when I feel like it. If you have any questions, remarks or request, feel free to comment or message me. Disclaimer: The translations may contain inaccuracies and/or mistakes
Sunday, July 10, 2022
[JO1] YSL Event reports (Ren focus)
https://www.oricon.co.jp/news/2238740/full/?utm_source=newsdigest&utm_medium=referral
Currently, the documentary series “PUSH THE BOUNDARIES”, a global project of YSL, which focuses on talents of a new generation that overcome boundaries, Kawashiri-san participates along with the dancer RIEHATA who works on the choreographies of worldwide artists such as BTS.
When Kawashiri was asked about his thoughts after watching the video in which he is featured as “a talent of the new generation”, he shyly smiled and said “It was a bit embarrassing to watch it myself”. Nonetheless, he expressed his feelings of gratitude “I was able to talk about my feelings regarding various dances. I was able to have a lot of first time experiences such as dancing outside or in the rain. I think it is an honor to be allowed to experience this”. Kono after watching the video, commented “It was sexy” to which Kawashiri responded with a smile “Thank you very much”.
https://natalie.mu/music/news/481699
Kawanishi Takumi said “I participated in the dance scene, but I barely had the chance to dance a freestyle in front of people, so I was nervous. I think it was thanks to Ren-san, Keigo-san and Mame-san with whom I filmed together that something good was shot.
JO1’s performance leader Kawashiri Ren was in charge of the choreography of “ALL HOURS”. Asked about his particulars of the choreography he answered “ As it is a foundation that stays strong against sweat and movements, I thought I wanted to make the members sweat. I added hard and busy looking movements in hope to convey the non-removability of the foundation. Even Mamehara Issei, an accomplished dancer, groaned “Well, it was difficult.” and expressed his eagerness “I think it is really cool choreography. I am glad that Ren-kun made it and I want to do my best because I believe there will be a chance to perform it at concerts in the future”.
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Source: https://youtu.be/kC7JRlP6iz0
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